"A duo from Rome, Italy, Heroin In Tahiti is composed by Valerio Mattioli (AAVV Videos, Thetlvmth) and Francesco De
Figueiredo (Opium Child), both hailing from the so named “Borgata Boredom” scene, a sort of local community based in
“Roma Est” (East Rome), the crumbling and deteriorated neighborhoods which were already immortalized by Pasolini and
Neorealist Cinema (think of Pasolini, De Sica, Visconti etc).
The duo plays a variety of cheap guitars, analog synths, drum machines and pedals, achieving a dirtiness which is tragically
lo-fi and out-of-time at the same time: a “Spaghetti Wasteland”, as they call it."
BeMyDelay is the solo project of Marcella Riccardi (Blake/e/e/e, Franklin Delano, Massimo Volume), singer and guitarist. Her interest in archaic blues and adventurous music is the ground for building a song collection which tastes of experimental blues, vocali drones, acoustic pareidolia.
BeMyDelay takes the listener to a soft voyage, letting the mind flow gently, a cosmic singalong where melodies come and go circularly, immersed in a muffled and ethereal atmosphere. Voice is used as an instrument, following the guitar loops and delays.
The new album, entitled "ToTheOtherSideΔ" is based around manipulation of two loop stations, a couple of old wha-wha tibetan bells and some percussions, which togheter with the voice create circular vortex where the mind can loose herself into thousand echoes floating inside the songs.
Marcella Riccardi aka BeMyDelay has played and sung with: Blake/e/e/e, Franklin Delano and Massimo Volume.
With Franklin Delano she recorded three albums, of which "Like a smoking gun in front of me" (2004,
mixed in Chicago by Brian Deck) and "Come Home" (2006, mixed at John McEntire’s Soma Studios and produced by Brian Deck) with the partecipation of musicians like Jim Becker, Ben Massarella, Tim Rutili from Califone, Fred Lomberg-Holm, Nick Broste, Josh Berman and Brian Deck himself.
In 2008, with her new band, Blake/e/e/e, she started her collaboration with Vacuum Studio’s Bruno Germano, fine soundmaker and great musician (played with Settlefish among others). Blake/e/e record, "Border Radio", has been released in US by Freefolk Records and in Europe by Unhip Records.
In 2011 she worked again with Bruno Germano to record and mix her new album as BeMyDelay "ToTheOtherSideΔ" which has been mastered by Carl Saff in Chicago.
Marcella/BeMyDelay loves to play live and from 2004 until now she played three coast-to-coast tour in US, two european tours and more than one hundred gigs in Italy with her bands or alone.
Mamuthones is the project run by Alessio Gastaldello, founding member and former drummer of Jennifer Gentle. After a collaborative record with italian drone meister Fabio Orsi, Mamuthones released on Boring Machines his first proper album "Sator" in 2009, a record of dark, foreboding, hypnotic music.
Sator takes its title from the mysterious engravings found in many ancient Roman ruins and Middle Age European churches: basically a riddle still without a solution, it is also the key to penetrate this album of moods, textures and impenetrable silences.
The record reveals itself as a haunting listening experience, shimmering with a sort of dreamlike (or maybe nightmarish?) luminescence. Blackened whispers, Nico-esque harmoniums, subtle synth touches creeping in here and there: everything concurs in creating the melodic but arcane ambience permeating the entire album.
In 2010 Gastaldello expands Mamuthones to a full band, including long-time friend Marco Fasolo aka Mr.Jennifer Gentle on guitars and the 64 years old drummer Maurizio Boldrin, a local myth who used to play in Pino Donaggio's ensemble (yes, the same Donaggio who wrote “You don’t have to say you love me” and soundtracked multiple Brian De Palma, Nicholas Roeg and Joe Dante movies).
The new eponymous album is a definite step beyond previous Mamuthones’ releases: it still retains the droney, foreboding darkness of its older siblings, but this time the sound is the one of a raw, aggressive rock trio.
Mamuthones has received international praise by the likes of The Wire, Rock-a-Rolla, Uncut, Mojo and also The Times, the worldwide known newspaper.
